Crescendo offers no limit on language development with a 10,000+ fringe word vocabulary and customizable vocabulary levels. The vocabulary works with AAC best practices like modeling (where you use an AAC system to talk with the user) to develop language skills. Crescendo puts core words in consistent locations for easy access and motor-planning. Users can grow from single words to full sentences in the same app. Known as core words, they act as the basis of Proloquo2Go’s research-based Crescendo™ vocabulary. Studies show that just 200-400 words make up 80% of what we say. The app is available in English, Spanish, French, and Dutch and supports bilingual use, so you can switch languages on the fly. The app is used by people with autism, Down syndrome, cerebral palsy, Angelman syndrome, and others with speech difficulties. Parents, therapists, teachers and users around the world recognize Proloquo2Go as the gold standard in AAC solutions. The app is fully customizable and can be utilized to build language skills and grow with a person’s communication, supporting both beginning and advanced communicators. Featuring natural sounding voices, including real children’s voices, Proloquo2Go is a simple yet powerful AAC (augmentative and alternative communication) tool. Proloquo2Go is an easy to use communication app for people who cannot speak or need help being understood.
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So this seeming lack of ocean diversity is not just the bias of us land-based creatures, Vermeij and Grosberg argue-a bias that they as marine researchers are all too keenly aware of. “There are oodles and oodles of species in the sea, but to make up that difference would take an awful lot,” says Geerat Vermeij, a marine ecologist and paleoecologist who has written about the land-sea species discrepancy with his collaborator Rick Grosberg, another ecologist at the University of California, Davis. They do not think this difference is entirely an artifact of land being better explored. Scientists now estimate that 80 percent of Earth’s species live on land, 15 percent in the ocean, and the remaining 5 percent in freshwater. The question has held for the two decades since, even as humans have explored more and more of the deep ocean. Robert May, a ecologist at the University of Oxford, appears to be the first to put the conundrum down in writing in a 1994 article titled, “Biological Diversity: Differences between Land and Sea (and Discussion).” Why more species live on land than in the ocean has puzzled biologists for a long time. So how did biodiversity in the ocean-despite its head start, despite its larger share of the Earth’s surface area-come to fall so far behind biodiversity on land? By one estimate, there are five times as many terrestrial species as marine species today. In particular: flowering plants, fungi, and insects, so many damn insects. Most major animals groups that exist today originated in the sea at this time.įast forward to the present, and it is now the land that has a dizzying array of species. No plants, no animals, certainly nothing that even compared to the great diversity of life in the sea, which teemed with trilobites, crustaceans, bristly worms, and soft squid-like creatures. UK population Whole grain Whole grain intake.Half a billion years ago on Earth, after the Cambrian explosion had created an astonishing array of new species, there was still no life on land. Teenagers and younger adults may need targeting to help increase whole grain consumption. Favourable pricing with increased availability of whole-grain foods and education may help to increase whole grain intake in countries without whole-grain recommendations. The whole grain intake in the UK, although higher than in 2000/01, remains low and below that in the US and Danish recommendations in all age classes. Individuals from lower SES groups had a significantly lower whole grain intake than those from more advantaged classifications. Of the total study population, 18% of adults and 15% of children/teenagers did not consume any whole-grain foods. Whole grain intake (absolute and energy-adjusted) increased with age, but was lowest in teenagers (13-17 years) and younger adults up to the age of 34 years. The corresponding energy-adjusted whole grain intake was 27 g/10 MJ per d for adults and 20 g/10 MJ per d for children/teenagers. The median daily whole grain intake, calculated for each individual on a dry weight basis, was 20 g/d for adults and 13 g/d for children/teenagers. In the present study, 4 d diet diaries were completed by 3073 individuals between 20, along with details of socio-economic status (SES). The aim of the present study was to describe whole grain intakes in the most current dietary assessment of UK households using data from the National Diet and Nutrition Survey rolling programme 2008-11. Data from 1986//01 have shown that whole grain intake is low and declining in British adults. Countries including the USA, Canada, Denmark and Australia have specific dietary guidelines on whole grain intake but others, including the UK, do not. Increased whole grain intake has been shown to reduce the risk of many non-communicable diseases. She believed that her books would speak for her clearly enough over the years." Hyman insisted the darker aspects of Jackson's works were not, as some critics claimed, the product of "personal, even neurotic, fantasies", but that Jackson intended, as "a sensitive and faithful anatomy of our times, fitting symbols for our distressing world of the concentration camp and the Bomb", to mirror humanity's Cold War-era fears. Jackson's husband, the literary critic Stanley Edgar Hyman, wrote in his preface to a posthumous anthology of her work that "she consistently refused to be interviewed, to explain or promote her work in any fashion, or to take public stands and be the pundit of the Sunday supplements. In her critical biography of Shirley Jackson, Lenemaja Friedman notes that when Shirley Jackson's story "The Lottery" was published in the June 28, 1948, issue of The New Yorker, it received a response that "no New Yorker story had ever received." Hundreds of letters poured in that were characterized by, as Jackson put it, "bewilderment, speculation and old-fashioned abuse." She is best known for her dystopian short story, "The Lottery" (1948), which suggests there is a deeply unsettling underside to bucolic, smalltown America. She has influenced such writers as Stephen King, Nigel Kneale, and Richard Matheson. A popular writer in her time, her work has received increasing attention from literary critics in recent years. but that’s a discussion for another day.Shirley Jackson was an influential American author. she also hates whole articles written in lower caps. – she hates it when i romanticise a regular day in a blogpost. she cleaned her room for the first time in well over three weeks. she came home with takeout chinese boxes and watched a sappy christmas movie. she bought herself a new pair of pajamas. traffic was crazy as usual, so she spent her car time facetiming not one but two friends. she bought photo frames and potted plants. she bought presents for people she loves. she finished her seventh book this month. she woke up a whole minute before she intended to. it’s like watching your favourite movie but someone changed the subtitles language. she looks just the same but so much has changed. but her last entry was on the 12th of october. she loves facetiming with people she loves, but work’s been crazy and she has barely found time to clock eight hours of sleep in the last few months. but she lost the two she had recently adopted to food poisoning, so must steer clear of that. shopping, she loves! but the last thing she bought was korean instant ramen off the marketplace on amazon. so maybe i could ask her out to an afternoon of books and chai in her balcony? but she hasn’t gotten past the first three pages of the last Murakami book she picked. but she changed her phone a year ago and hasn’t logged into her account ever since. her pinterest is flooded with home decor pins. but every time netflix suggested one, she picked Friends. i knew she likes sappy holiday movies that made absolutely no sense whatsoever. but ugh the holiday rush is such a turn off. I knew she likes spending time at the mall. but then she wakes up one morning feeling the opposite and i am thrown off my game. I’ve always held pride in knowing exactly what she likes. Now, the 24-inch scale Duo-Sonic lives on in Fender’s Offset Series, which was released in late 2016. A decade later, in 2008, Squier introduced the Classic Vibe Duo-Sonic ’50s model, which was much closer to the original 1950s design, with a Desert Sand finish and gold anodized aluminum pickguard (although it had a 24-inch scale rather than the original 22.5-inch scale). A Squier Affinity series Duo-Sonic model was introduced in 1998 and lasted for one year. And of course, there was Hendrix with his Duo-Sonic before he became known as a Stratocaster man.įender offered a reissue Duo-Sonic from 1994 to 1998 that came in Black, Arctic White and Torino Red finishes. Perhaps that's a big reason why they were favored by so many indie artists who played them throughout the years. They were well-designed, solidly built and highly affordable guitars. It’s worth noting that while the Musicmaster and Duo-Sonic were smaller student models aimed at beginners, in no way were they lacking in the quality present in Fender’s pro-level instruments. The Musicmaster stayed, remaining in the Fender lineup until 1982 (and joined by the Musicmaster Bass model of 1971-1981). With the widespread popularity of the vibrato-equipped Mustang, the Duo-Sonic was discontinued in 1969. Randall urged Leo Fender to develop a student electric model around this time, and Leo responded with the Musicmaster and Duo-Sonic, which went into production in April and June of 1956, respectively. Needless to say, a lot of kids were interested in electric guitar. After all, “Rock Around the Clock” by Bill Haley & His Comets spent most of summer 1955 on top of the charts. The Telecaster (1951) and Stratocaster (1954) were aimed at professionals, but for years there were no related student guitars to naturally lead beginning players to them.įurthermore, a little thing called rock and roll was taking hold in popular culture. That continued with the Musicmaster and Duo-Sonic. Randall in particular was keen on the benefits of offering smaller, less-expensive student instruments to retailers who offered in-store music instruction the thinking being that such dealers were well placed to launch beginners to the next level by selling them full-size Fender guitars. During that first decade, he and his sales chief, Don Randall, believed in “step-up” sales programs in which students and other beginners could follow a well-defined path of upgraded instruments as their skills grew. The tradition of offering student-model guitars began almost as soon as Leo Fender founded the company in 1946. Patti Smith, Tom Verlaine, Richard Lloyd, Dweezil Zappa and Johnny Winter Liz Phair, who even featured her 1969 white Duo-Sonic on the cover of her self-titled 2003 album Mickey “Dean Ween” Melchiondo, who favored a pair of Musicmasters throughout Ween's lengthy career Rory Gallagher, who had a 1978 Duo-Sonic that saw frequent action on the road around ’82 Jimi Hendrix, who played a 1959 or 1960 Duo-Sonic when he backed up the Isley Brothers during a 1964 tourĭavid Byrne, who largely used a Duo-Sonic on the Talking Heads’ first two albums, Talking Heads: 77 and More Songs About Buildings and Food THE PLAYERSĪrtists who’ve wielded Musicmaster and Duo-Sonic guitars include: It is also available as a Duo-Sonic HS, which features a rosewood fingerboard and exchanges the single-coil bridge pickup for a humbucker with coil-split capability. In the fall of 2016 the Duo-Sonic was reintroduced-alongside the Mustang-featuring a 24-inch scale, a modern "C"-shaped neck and two single-coil pickups. Throughout the years, the Musicmaster and Duo-Sonic were offered in various body and pickguard colors, but the biggest change occurred in 1964, when they underwent a Mustang-like redesign complete with offset waists. June 1956 saw the second production run of Musicmasters and the first Duo-Sonic models, which were distinguished by an additional single-coil pickup at the bridge position. The first production run had ash bodies, with black paint on their aluminum pickguards. The Musicmaster came first by a couple of months. THE GUITARSīoth original models were short-scale guitars-22.5 inches compared to 25.5 inches for the Telecaster and Stratocaster-with slightly smaller bodies, Strat-like headstocks and single-coil pickups. So what's the story behind these student-focused stalwarts? Dive into the history of the Fender Musicmaster and Duo-Sonic below. Even Jimi Hendrix played one early in his career. So yes, they certainly started many a beginner on their artistic path, but fans have likely seen them in the hands of players like Mickey "Dean Ween" Melchiondo of Ween, Dweezil Zappa and Liz Phair. Not only did the Musicmaster and Duo-Sonic firmly establish Fender's tradition of student-model guitars in the 1950s, they also became favorites of several indie rock and alternative artists many years later. 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If you were to search the planet for the polar opposite of Formula 1, it would be Wreckfest. There’s no such thing as a cheap dog, and there’s no such thing as cheap racing. The car itself may be attainable, but the upkeep? It’s like adopting a dog: whether you buy a pedigree or go to the local shelter, you’re facing a lot of vet bills, etc. Worse, there is the risk that you will damage or destroy your car. You may see a Legends car on sale for $10k or so, but that’s just the beginning. The problem is that they really aren’t that inexpensive. I wasn’t driving as a pale impersonation of Michael Schumacher in these cars, I was driving as me! I could imagine actually owning a car like one of these entry level cars, although I couldn’t imagine how I would ever manage to override the spousal veto, but that’s a problem for a different sim. It also occurred to me that this type of lower ranks racing had another personal appeal: these were cars that I could conceivably drive in real life. Oh, and the races were shorter - you could fit one into a half hour. The fields were bigger, the cars slid around a lot more but were controllable (which is incredibly fun if you have a good FF wheel), and the racing was much closer. I started working my way up the chain, but at some point I realized that I had been having a lot more fun in the entry-level cars. “Poorly,” is the answer, and that would not be fair to the other paying customers in the race. If I couldn’t get through a Miata race, how well was I going to do in Formula 1? The restriction was only on racing, and that made sense to me. The difference was that I hadn’t paid for those cars - iRacing was an early entrant to the DLC model. As a rookie, I was restricted from racing higher level cars, just like the aforementioned sims. I was far more interested in the top levels, Formula 1, Indycar, even Nascar - I watched all of them, then drove the same races in whatever sims I had at the time. Once having progressed beyond them, I never looked back. I resented it so much that I ended up viewing those entry-level cars with disdain. Go! How long did it take you to get to a real race car? Start last in the field for a five lap race. You know the drill: start in this underpowered beater that isn’t even as fast as your daily drive. Every now and then I would run across a sim/game that would force me to driver “lesser” cars while “earning” the “privilege” of driving model cars that I had already paid for. The inner Walter Mitty in me reveled in it.įrom then until the present, I have had just about every above average sim available, and they all had one thing in common: they gave me the opportunity to feel a glimpse of what it would be like to race those exotic, expensive, high-performance cars. It may have also been the first to provide at least a somewhat limited view into what it must be like to have raced in those skittish, powerful, and hugely dangerous cars, long before the advent of aero downforce and all of the other mumbo-jumbo that goes into contemporaneous racing. It was by no means my first racing sim, but it was the first one that really knocked my socks off with gorgeous graphics (for the era) and believable driving physics the venerable old cars and real world tracks just sealed the deal. I remember when Grand Prix Legends was released, way back in 1998. 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Each diagonal of a parallelogram separates it into two . The diagonals of a parallelogram bisect each other. If one angle is right, then all angles are right. Properties of parallelograms - Quadrilaterals - Math Planet. Given a square with area x, you can use the formula d = 1.4x 1 2 to estimate the length of the diagonal of the square. Given a square with area x, you can use the formula d = 1.4x 1. Square is a parallelogram with four sides of equal length and with all right angles (90) Following image shows you how a Square looks like. Java program to find Area, Perimeter & Length of diagonal of a. It is coming to 3DS as well in June, which is really the only Nintendo platform it should be on. Speaking of which, Color Zen released this week on Wii U. It just makes more sense as a portable game. Oh, and to address the elephant in the room, YES, it’s on the wrong platform. It’s also the cheapest game in the entire Wii U eShop at $1.99, and I do recommend it. Besides the short length and the lack of curve, Blok Drop U is a perfectly fine game. I don’t know how it built the inertia to roll, but that screwed me over once or twice. Like having the target block fall straight down, without sloping, landing flush on a platform, and then rolling. My only other complaint is sometimes the physics seem to screw you over. With the possible exception of the saw levels, Blok Drop U is about as stimulating as a warehouse full of straw.īlok Drop U was developed by RCMADIAX ($1.99 said the developer is paying for the word “Block” in monthly installments in the making of this review) I know that minimalism is an established style, especially on the indie scene, but games are a visual medium and gamers are looking for stimuli. Maybe that wasn’t their actual intent, but it feels that way. These visuals almost feel like they’re giving up on attracting non-puzzle fans. I think the developers failed themselves as commercial artists here. I certainly wasn’t bored by it, but I’m wired to enjoy puzzle games. Blok Drop U’s visuals are so dull that it becomes almost tiring. But, I kind of have to talk about it here. I’m very much a “gameplay is King” type of chick. At Indie Gamer Chick, I almost never talk about graphics. I guess I enjoyed Blok Drop U, but I have a few nits to pick. I’ve said it before and I’ll say it again: Portal has creatively bankrupted an entire generation. Sadly, everyone wants a sweet, sweet taste of that Portal-style minimalism pie. Anything would have been better than nothing. The developers really should have come up with some kind of theme, ANY THEME, for Blok Drop U. |